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The double-curve motive in northeastern Algonkian art. Algonquian Indians; Indian art; Algonquian art. Fig. 5. (a) Penobscot double-curve design denoting central place of mourning in ceremony over a dead chief. From
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A history of the Bank of New York, 1784-1884. ture was described at the time as builtin the Italian style, of Little Falls brown stone andPhiladelphia brick. The banking-room is fifty-eightfeet
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